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Taking a Chance on Love
The Life and Music of Vernon Duke
American Popular Music Series
Published by: University of Oklahoma Press
Imprint: University of Oklahoma Press
264 Pages | 6 x 9 | 18 b&w illus.
$24.95
$21.95
When his friend George Gershwin persuaded Vladimir Dukelsky to change his name to Vernon Duke, what the music world already knew became apparent to the public at large—the man had two musical personas—one as a composer, the other as a tunesmith. One wrote highbrow music, the other lowbrow. Yet the two sides complemented each other. Neither could function without the other.
Born and classically trained in imperial Russia, Vladimir Dukelsky (1903–1969) fled the Bolshevik Revolution with his family, discovered American popular music in cosmopolitan Constantinople, and pursued his budding interest to New York before his passion for classical music drew him to Paris, where the impresario Serge Diaghilev hired him to compose a ballet for the Ballets Russes.
Taking a Chance on Love immerses us in Duke’s dizzying globe-hopping and genre-swapping, as financial concerns and musical passions drive him from composing symphonies to writing songs, from brilliant successes to Broadway flops, and from performing with classical performers to writing books and articles. Throughout, as he crisscrosses the landscape of American music, collaborating with lyricists such as Howard Dietz, Ira Gershwin, and Sammy Cohn, the incomparable Vernon Duke emerges clearly from these pages: sometimes charming, sometimes infuriating, always entertaining.
Although Vernon Duke has entered the canon of American standards with such songs as “Taking a Chance on Love,” “I Can’t Get Started,” and “April in Paris,” little is known about the composer with two personas. Taking a Chance on Love brings the intriguing double life of Dukelsky/Duke back into the spotlight, restoring a chapter to the history of the Great American Songbook and to the story of twentieth-century music.
Born and classically trained in imperial Russia, Vladimir Dukelsky (1903–1969) fled the Bolshevik Revolution with his family, discovered American popular music in cosmopolitan Constantinople, and pursued his budding interest to New York before his passion for classical music drew him to Paris, where the impresario Serge Diaghilev hired him to compose a ballet for the Ballets Russes.
Taking a Chance on Love immerses us in Duke’s dizzying globe-hopping and genre-swapping, as financial concerns and musical passions drive him from composing symphonies to writing songs, from brilliant successes to Broadway flops, and from performing with classical performers to writing books and articles. Throughout, as he crisscrosses the landscape of American music, collaborating with lyricists such as Howard Dietz, Ira Gershwin, and Sammy Cohn, the incomparable Vernon Duke emerges clearly from these pages: sometimes charming, sometimes infuriating, always entertaining.
Although Vernon Duke has entered the canon of American standards with such songs as “Taking a Chance on Love,” “I Can’t Get Started,” and “April in Paris,” little is known about the composer with two personas. Taking a Chance on Love brings the intriguing double life of Dukelsky/Duke back into the spotlight, restoring a chapter to the history of the Great American Songbook and to the story of twentieth-century music.
George Harwood Phillips is retired as Professor of History at the University of Colorado, Boulder. He is the author of numerous articles and books on California and its Native peoples, including Vineyards and Vaqueros: Indian Labor and the Economic Expansion of Southern California, 1771–1877.
“In Taking a Chance on Love, the most thorough study of the composer since Duke’s own 1955 autobiography, George Harwood Phillips provides long-overdue recognition of Duke’s diverse musical contributions to American life.”—Aaron Ziegel, Associate Professor of Music History and Culture, Towson University
“A dazzling and exhaustive study of one of the twentieth century’s most interesting and underrecognized musical figures: Vernon Duke. Well written and originally constructed, this book should appeal both to fans of the American popular song and to lovers of classical music.”—Scott Dunn, conductor, pianist, arranger, and editor of The Vernon Duke Songbook
“Fans of popular music history may not readily recognize his name, but by the end of this survey, they will be well grounded in his contributions and the social temperament of Gershwin's times.”— Donovan’s Literary Services