Through a Native Lens
American Indian Photography
Published by: University of Oklahoma Press
Imprint: University of Oklahoma Press
240 Pages | 8 x 10 | 170 b&w illus.
What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works—along with pictures by other non-Native photographers—came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections.
In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyzes date to the first one hundred years of the medium, between 1840 and 1940. To account for Native activity both in front of and behind the camera, the author divides her survey into two parts. Part I focuses on Native participants, including such public figures as Sarah Winnemucca and Red Cloud, who fashioned themselves in deliberate ways for their portraits. Part II examines Native professional, semiprofessional, and amateur photographers.
Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs—including some never before published—that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa. Moving beyond studies of Native Americans as photographic subjects, this groundbreaking book demonstrates how indigenous peoples took control of their own images and distinguished themselves as pioneers of photography.
“In Through a Native Lens: American Indian Photography, art historian Nicole Dawn Strathman explores Indigenous photographers’ involvement in capturing and documenting their own communities….Strathman’s book will be an exceptional companion to anyone interested in Indigenous history, given its wealth of primary source material and details that, when in focus, display a new landscape of possibilities for learning and teaching the history of the United States and the survival of Indigenous people.”—Journal of Arizona History
“Through a Native Lens is a fascinating and beautifully produced record of Native photography as a diverse enterprise…The study is a substantial contribution to recent and ongoing appraisals and revisions of Native photographic histories by a diverse group of scholars, writers, and photographers, including Lucy Lippard, Henrietta Lidchi and Hulleah J. Tsinhnahjinnie (Seminole/Muscogee/Diné), Leslie Marmon Silko (Laguna Pueblo), Susan Bernardin and Melody Graulich, and Wendy Red Star (Crow). Through a Native Lens builds effectively on the critical foundations provided by these and other authors while remaining focused on its distinct purpose: to provide ample visual evidence that “Native peoples actively participated in the formation of their own constantly developing identities”(178).— Native American and Indigenous Studies Journal