The Charles M. Russell Center Series on Art and Photography of the American West
About the Series
The Charles M. Russell Center Series on Art and Photography of the American West publishes high-quality, well-illustrated books, including scholarly monographs and artist’s books, that focus on visual representation and the American West. The series features argument-driven analyses that probe the relationships between identity, representation, place, and myths of the West through close examination of art, visual culture, and material culture produced by all makers in the fluid regions of the American West, including settler and Native American artists, as well as those from around the world who imagine the West from outside its borders.
Emily Burns, Series Editor
Emily C. Burns is Director of the Charles M. Russell Center for the Study of Art of the American West and Associate Professor of Art History, School of Visual Arts, University of Oklahoma, Norman. Please direct inquiries or proposals to [email protected].
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Picturing Migrants
The Grapes of Wrath and New Deal Documentary Photography
Framing First Contact
From Catlin to Russell
Through a Native Lens
American Indian Photography
Western Art, Western History
Collected Essays
Visions of the Tallgrass
Prairie Photographs by Harvey Payne
Centering Modernism
J. Jay McVicker and Postwar American Art
Painters of the Northwest
Impressionism to Modernism, 1900–1930
Narrating the Landscape
Print Culture and American Expansion in the Nineteenth Century
Charles M. Russell
Photographing the Legend
Transnational Frontiers
The American West in France
Albert Bierstadt
Witness to a Changing West
Painted Journeys
The Art of John Mix Stanley
A Strange Mixture
The Art and Politics of Painting Pueblo Indians
A President in Yellowstone
The F. Jay Haynes Photographic Album of Chester Arthur's 1883 Expedition
Karl Bodmer's America Revisited
Landscape Views Across Time
Visions of the Big Sky
Painting and Photographing the Northern Rocky Mountain West
Frederic Remington
A Catalogue Raisonné II
Branding the American West
Paintings and Films, 1900–1950
Wild Spaces, Open Seasons
Hunting and Fishing in American Art
Picturing Indian Territory
Portraits of the Land That Became Oklahoma, 1819–1907
Our Indian Summer in the Far West
An Autumn Tour of Fifteen Thousand Miles in Kansas, Texas, New Mexico, Colorado, and the Indian Territory
Picher, Oklahoma
Catastrophe, Memory, and Trauma
Wyoming Grasslands
Photographs by Michael P. Berman and William S. Sutton
Picturing Migrants
The Grapes of Wrath and New Deal Documentary Photography
Framing First Contact
From Catlin to Russell
Through a Native Lens
American Indian Photography
Western Art, Western History
Collected Essays
Visions of the Tallgrass
Prairie Photographs by Harvey Payne
Centering Modernism
J. Jay McVicker and Postwar American Art
Painters of the Northwest
Impressionism to Modernism, 1900–1930
Narrating the Landscape
Print Culture and American Expansion in the Nineteenth Century
Charles M. Russell
Photographing the Legend
Transnational Frontiers
The American West in France
Albert Bierstadt
Witness to a Changing West
Painted Journeys
The Art of John Mix Stanley
A Strange Mixture
The Art and Politics of Painting Pueblo Indians
A President in Yellowstone
The F. Jay Haynes Photographic Album of Chester Arthur's 1883 Expedition
Karl Bodmer's America Revisited
Landscape Views Across Time
Visions of the Big Sky
Painting and Photographing the Northern Rocky Mountain West
Frederic Remington
A Catalogue Raisonné II
Branding the American West
Paintings and Films, 1900–1950
Wild Spaces, Open Seasons
Hunting and Fishing in American Art
Picturing Indian Territory
Portraits of the Land That Became Oklahoma, 1819–1907
Our Indian Summer in the Far West
An Autumn Tour of Fifteen Thousand Miles in Kansas, Texas, New Mexico, Colorado, and the Indian Territory
Picher, Oklahoma
Catastrophe, Memory, and Trauma
