Skip to content
University of Oklahoma Press
Connect With Us
  • University of Oklahoma Press
  • Books
    • Column
      • New & Recent Releases
      • Forthcoming Books
      • Subjects
      • Authors
      • Catalogs
    • Column
      • Award Winning Books
        • 2021 Award Winners
        • Recent Award Winners
      • Series
        • University of Oklahoma Press Series
        • The Arthur H. Clark Company Series
    • Column
      • Imprints
        • The Arthur H. Clark Company
      • Distributed Publishers
  • Resources
    • Column
      • For Authors
      • Meet Our Editors
        • J. Kent Calder
        • Alessandra Jacobi Tamulevich
        • Joe Schiller
    • Columns
      • For Booksellers
        • Ordering Information
        • Returns Policy
        • Sales Representation
    • Columns
  • News & Events
  • About
  • Contact
    • Column
      • Ordering Information
      • Media Requests
      • Staff Directory
    • Column
      • Rights and Permissions
      • Examination and Desk Copies

ART / Collections, Catalogs, Exhibitions / General

Showing results 1-10 of 19

  • Books
  • Site Content
Filter Results OPEN +
Searching...
‹12›
The Life and Art of Joseph Henry Sharp

The Life and Art of Joseph Henry Sharp

Edited by Peter H. Hassrick

Contributions by Marie Watkins, Sarah E. Boehme, Kelin Michael and Karen B. McWhorter

This volume marks a fresh inspection of who Sharp was, how and where he was trained as a painter, why he selected the nation’s western Native population as a primary subject, what impact his imagery had on audiences across the continent and how his production as a painter of  what he referred to as the “real Americans” differed from that of his contemporary peers.

Leon Gaspard

Leon Gaspard

The Call of Distant Places

by Forrest Fenn and Carleen Milburn

Leon Shulman Gaspard (1882–1964) was an interesting addition to the New Mexico arts scene when he arrived in 1918. A Russian-born, French-trained veteran of the airborne campaigns of the Great War, he arrived physically diminished from a horrific plane crash that had put him in a French hospital for two years. Seeking a more hospitable climate, he arrived in Taos to find a vibrant arts community and an exotic blend of native, western and Hispanic cultures.

Centering Modernism

Centering Modernism

J. Jay McVicker and Postwar American Art

by Louise Siddons

Featuring nearly one hundred full-color reproductions of McVicker’s works, Centering Modernism showcases the extraordinary range of his artistry. As the first comprehensive survey of McVicker’s career and oeuvre, this volume is also the story of American modernism in all its diversity.
 

Albert Bierstadt

Albert Bierstadt

Witness to a Changing West

Edited by Peter H. Hassrick

Foreword by Bruce B. Eldredge

Contributions by Arthur Amiotte, Emily C. Burns, Dan Flores, Laura F. Fry, Karen B. McWhorter and Melissa W. Speidel

Along with its rich sampling of Bierstadt’s diverse artwork, Albert Bierstadt: Witness to a Changing West features informative essays by noted curators, scholars of art history, and historians of the American West.
 

Walter Ufer

Walter Ufer

Rise, Fall, Resurrection

by Dean A. Porter

Walter Ufer: Rise, Fall, Resurrection examines the life and artistic career of one of America’s most talented, but relatively unknown artists, outside a small circle of collectors and scholars.

Sheila Hicks

Sheila Hicks

Material Voices

Edited by Karin Campbell

Contributions by Ted Kooser, Jason Farago and Monique Lévi-Strauss

Drawing on global weaving traditions, the history of painting and sculpture, graphic design, and architecture, Sheila Hicks has redefined how fiber is used to create art, influencing a generation of artists. Sheila Hicks: Material Voices explores sixty years of her prolific career through four diverse perspectives.

Wild Spaces, Open Seasons

Wild Spaces, Open Seasons

Hunting and Fishing in American Art

Edited by Kevin Sharp

Contributions by Stephen J. Bodio, Margaret C. Adler, Kory W. Rogers, Shirley Reece-Hughes and Adam M. Thomas

In their depictions of the hunt or the catch, American artists connected a dynamic and developing nation to its past and its future. Through the examination of major works of art, Wild Spaces, Open Seasons brings to light an often-overlooked theme in American painting and sculpture.

Picturing Indian Territory

Picturing Indian Territory

Portraits of the Land That Became Oklahoma, 1819–1907

Edited by B. Byron Price

Foreword by John R. Lovett

Contributions by James Peck and Mark Andrew White

Some of the artworks featured in this volume have never before been displayed; some were produced by more than one artist; others are anonymous. Many were completed by illustrators on-site, as the events they depicted unfolded, while other artists relied on written accounts and vivid imaginations. Whatever their origin, these depictions of the people, places, and events of “Indian Country” defined the region for contemporary American and European audiences. Today they provide a rich visual record of a key era of western and Oklahoma history—and of the ways that art has defined this important cultural crossroads.

Drawn to Yellowstone

Drawn to Yellowstone

Artists in America's First National Park

by Peter H. Hassrick

The first national park in the world, from the moment of its inception in 1872 Yellowstone National Park has been perceived as a vast visual spectacle. By the 1890s it was known as “the Nation’s Art Gallery.” Peter Hassrick traces the artistic history of the park from its earliest explorers to the present day in this new edition of Drawn to Yellowstone, a richly illustrated account of the artists who traveled to and were inspired by Yellowstone.

Libertad de Expresión

Libertad de Expresión

The Art Museum of the Americas and Cold War Politics

Edited by Claire F. Fox

Libertad de Expresión examines how the both the OAS and its cultural institution, the Art Museum of the Americas, advanced Latin American art and democratic values during the Cold War. Ironically, Gómez-Sicre’s support for freedom of expression rarely included artists of a socialist or communist bent, and his support for international modernism also allied him with U.S. cold warriors, who used freedom of expression as a tool in the cultural and intellectual struggle against the Soviets.

‹12›

Join Our Mailing List

UNIVERSITY OF OKLAHOMA PRESS
2800 VENTURE DRIVE
NORMAN OK 73069

OUPRESS.COM EQUAL OPPORTUNITIES EMPLOYER
Powered by Supadu
Connect With Us
University of Oklahoma Press
Powered by  GDPR Cookie Compliance
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

Strictly Necessary Cookies

Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.