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Framing First Contact
From Catlin to Russell
In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths—and how those myths acquired different meanings at different points in our nation’s history.
New England / New Spain
Portraiture in the Colonial Americas, 1492–1850
In 2014 the Denver Art Museum held a symposium hosted by the Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art and co-organized by Donna Pierce and Emily Ballew Neff, Director of the Brooks Museum, Memphis, who assembled an international group of scholars to present recent research on portraiture in the Spanish colony of New Spain (Mexico) and the British colonies of North America. This volume presents revised and expanded versions of papers presented at the symposium.
Frederic Remington
A Catalogue Raisonné II
One of America’s most popular and influential American artists, Frederic Remington (1860 - 1909) is renowned for his depictions of the Old West. Through paintings, drawings, and sculptures, he immortalized a dynamic world of cowboys and American Indians, hunters and horses, landscapes and wildlife. Frederic Remington: A Catalogue Raisonné II is a comprehensive presentation of the artist’s body of flat work, both in print and on this book’s companion website.
Branding the American West
Paintings and Films, 1900–1950
Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the “Wild West” and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West.
The Sons of Charlie Russell
Celebrating Fifty Years of the Cowboy Artists of America
If you grew up on American soil, whether you were a boy or a girl, you probably played “Cowboys and Indians” in your backyard. If you grew up in the 1940s and 1950s, you no doubt watched Roy...
Edward Borein
Cowboy Artist
Like his good friend Charles M. Russell, Edward Borein stands today as one of the most artistically gifted and intellectually honest chroniclers of the American West and a way of life that has now, unfortunately, passed almost completely away. A master at portraying cowboys, Indians and Western life and work, his early work documented the transition from Spanish to American influence in California, and he continued to paint Western scenes until the end of his life. The fine sketches, etchings, drawings and watercolors of this self-taught artist come to life in this book.
Remington
The Years of Critical Acclaim
Frederick Remington’s early paintings of the West were more literal depictions than his romanticized later ones. The boldness Remington had lost in his work by eliminating hard outlines began to reinstate itself in his later works with vigorous brushwork. In his later years, he preferred to paint nocturnes because it allowed him greater freedom and depth of perspective. This commemorative catalogue focuses on Remington’s nocturnes and bronzes, a body of work that provides a clear view of the artist’s mature vision. In the years between 1905 and his death in 1909, the new direction of Remington’s art finally earned him the critical recognition he had been seeking.
The West of the Imagination
A landmark overview of western American art, the original edition of The West of the Imagination brought the region to wide public attention as a companion to a popular PBS series of the same name. This book, significantly expanded and updated, shows that the West is a vibrant mirror of American cultural diversity. Through 450 illustrations—more than 300 in color—the authors trace the visual evolution of the myth of the American West, from unknown frontier to repository of American values, covering popular and high arts alike.

Framing First Contact
From Catlin to Russell
In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths—and how those myths acquired different meanings at different points in our nation’s history.
New England / New Spain
Portraiture in the Colonial Americas, 1492–1850
In 2014 the Denver Art Museum held a symposium hosted by the Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art and co-organized by Donna Pierce and Emily Ballew Neff, Director of the Brooks Museum, Memphis, who assembled an international group of scholars to present recent research on portraiture in the Spanish colony of New Spain (Mexico) and the British colonies of North America. This volume presents revised and expanded versions of papers presented at the symposium.
Frederic Remington
A Catalogue Raisonné II
One of America’s most popular and influential American artists, Frederic Remington (1860 - 1909) is renowned for his depictions of the Old West. Through paintings, drawings, and sculptures, he immortalized a dynamic world of cowboys and American Indians, hunters and horses, landscapes and wildlife. Frederic Remington: A Catalogue Raisonné II is a comprehensive presentation of the artist’s body of flat work, both in print and on this book’s companion website.
Branding the American West
Paintings and Films, 1900–1950
Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the “Wild West” and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West.
The Sons of Charlie Russell
Celebrating Fifty Years of the Cowboy Artists of America
If you grew up on American soil, whether you were a boy or a girl, you probably played “Cowboys and Indians” in your backyard. If you grew up in the 1940s and 1950s, you no doubt watched Roy...
Edward Borein
Cowboy Artist
Like his good friend Charles M. Russell, Edward Borein stands today as one of the most artistically gifted and intellectually honest chroniclers of the American West and a way of life that has now, unfortunately, passed almost completely away. A master at portraying cowboys, Indians and Western life and work, his early work documented the transition from Spanish to American influence in California, and he continued to paint Western scenes until the end of his life. The fine sketches, etchings, drawings and watercolors of this self-taught artist come to life in this book.
Remington
The Years of Critical Acclaim
Frederick Remington’s early paintings of the West were more literal depictions than his romanticized later ones. The boldness Remington had lost in his work by eliminating hard outlines began to reinstate itself in his later works with vigorous brushwork. In his later years, he preferred to paint nocturnes because it allowed him greater freedom and depth of perspective. This commemorative catalogue focuses on Remington’s nocturnes and bronzes, a body of work that provides a clear view of the artist’s mature vision. In the years between 1905 and his death in 1909, the new direction of Remington’s art finally earned him the critical recognition he had been seeking.
The West of the Imagination
A landmark overview of western American art, the original edition of The West of the Imagination brought the region to wide public attention as a companion to a popular PBS series of the same name. This book, significantly expanded and updated, shows that the West is a vibrant mirror of American cultural diversity. Through 450 illustrations—more than 300 in color—the authors trace the visual evolution of the myth of the American West, from unknown frontier to repository of American values, covering popular and high arts alike.