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ART / American / General

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Framing First Contact

Framing First Contact

From Catlin to Russell

by Kate Elliott

In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths—and how those myths acquired different meanings at different points in our nation’s history.
 

New England / New Spain

New England / New Spain

Portraiture in the Colonial Americas, 1492–1850

Edited by Donna Pierce

In 2014 the Denver Art Museum held a symposium hosted by the Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art and co-organized by Donna Pierce and Emily Ballew Neff, Director of the Brooks Museum, Memphis, who assembled an international group of scholars to present recent research on portraiture in the Spanish colony of New Spain (Mexico) and the British colonies of North America. This volume presents revised and expanded versions of papers presented at the symposium.

Frederic Remington

Frederic Remington

A Catalogue Raisonné II

Edited by Peter H. Hassrick

Foreword by Bruce B. Eldredge

One of America’s most popular and influential American artists, Frederic Remington (1860 - 1909) is renowned for his depictions of the Old West. Through paintings, drawings, and sculptures, he immortalized a dynamic world of cowboys and American Indians, hunters and horses, landscapes and wildlife. Frederic Remington: A Catalogue Raisonné II is a comprehensive presentation of the artist’s body of flat work, both in print and on this book’s companion website.

Branding the American West

Branding the American West

Paintings and Films, 1900–1950

Edited by Marian Wardle and Sarah E. Boehme

Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the “Wild West” and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West.

The Sons of Charlie Russell

The Sons of Charlie Russell

Celebrating Fifty Years of the Cowboy Artists of America

by B. Byron Price

If you grew up on American soil, whether you were a boy or a girl, you probably played “Cowboys and Indians” in your backyard. If you grew up in the 1940s and 1950s, you no doubt watched Roy...

Edward Borein

Edward Borein

Cowboy Artist

by Harold G. Davidson

Like his good friend Charles M. Russell, Edward Borein stands today as one of the most artistically gifted and intellectually honest chroniclers of the American West and a way of life that has now, unfortunately, passed almost completely away. A master at portraying cowboys, Indians and Western life and work, his early work documented the transition from Spanish to American influence in California, and he continued to paint Western scenes until the end of his life. The fine sketches, etchings, drawings and watercolors of this self-taught artist come to life in this book.

Georgia O’Keeffe

Georgia O'Keeffe

Selected Paintings and Works on Paper

by Georgia O'Keeffe

Preface by Gerald P. Peters

This catalogue is a broad survey of Georgia O’Keeffe’s art and vision, from her early abstract watercolors to the late New Mexican landscapes. These pages give equal treatment to her sublime but lesser known works on paper, including watercolors and charcoals of land, sky, and botanical and architectural motifs. Many of the flower paintings are included, as well as major oil paintings from the Black Place and Black Cross series.

Frank Tenney Johnson and the American West

Frank Tenney Johnson and the American West

by Melissa Webster

In 1904, Field and Stream sent Frank Tenney Johnson (1874-1939) to the Rockies and the Southwest. It was on this journey that Johnson established his distinctive style and discovered the subject matter on which he would draw throughout his life. He became a painter of the world of Indians and cowboys from the Wyoming Rockies to the exotic canyons and cliffs of New Mexico and Arizona, and was considered the foremost painter of the West, recognized for picking up where Remington and Russell left off.

Robert Henri in Santa Fe

Robert Henri in Santa Fe

His Work and Influence

by Valerie Ann Leeds

In 1914, Dr. Edgar Hewitt, director of Santa Fe’s School of American Archaelogy, urged Henri to paint in New Mexico. Henri’s strong personality and liberal ideas regarding museum policy, particularly unjuried exhibitions, left a lasting imprint on the newly opened Museum of New Mexico.

Remington

Remington

The Years of Critical Acclaim

by Melissa Webster and Peter H. Hassrick

Edited by Kellie Keto

Frederick Remington’s early paintings of the West were more literal depictions than his romanticized later ones. The boldness Remington had lost in his work by eliminating hard outlines began to reinstate itself in his later works with vigorous brushwork. In his later years, he preferred to paint nocturnes because it allowed him greater freedom and depth of perspective. This commemorative catalogue focuses on Remington’s nocturnes and bronzes, a body of work that provides a clear view of the artist’s mature vision. In the years between 1905 and his death in 1909, the new direction of Remington’s art finally earned him the critical recognition he had been seeking.

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