This international group of scholars assembled to explore the theme of materiality in the Americas. The chapters consider materiality from a wide variety of angles, including hagiographic martyr portraiture, arms and armor in Spanish America, religious sculpture, the interpretation of the tocapu in post conquest Peru, and collections assembled both in the Americas and of goods sent back to Europe.
A Nahuatl-Mixtec Book of Accounts from Colonial Mexico
by Kevin Terraciano
The first known record of an indigenous population’s integration into the trans-Atlantic economy, and of the impact of the trans-Pacific trade on a lucrative industry in the region, the Codex Sierra provides a unique window on the world of the Mixteca less than a generation after the conquest—a view rendered that much more precise, clear, and coherent by this new translation and commentary.
Mapping Indigenous Land explores how, as persuasive and rhetorical images, these maps did more than simply record the disputed territories for lawsuits; they also enabled indigenous communities—and sometimes Spanish petitioners—to translate their ideas about contested spaces into visual form.
Mayer Center Symposium XVII, Readings in Latin American Studies
Edited by Victoria I. Lyall
This volume presents the work of ten scholars who shared their research at the Denver Art Museum’s 2017 symposium hosted by the Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art. Centered on the theme of murals, each chapter discusses how this art form functions as a powerful tool for the expression of political, social, or religious ideas across diverse time periods and cultures in the Americas, from the ancient rock cave paintings of Guerrero, Mexico, to the murals of the 1960s Chicano movement.
Made to Order, the first systematic study of more than 150 painted portable artworks produced in Teotihuacan, offers a unique, deeply informed perspective on the cultural practices and artistic techniques of the largest urban community in pre-Hispanic Mesoamerica.
Movement of Ideas, Art, and People in Spanish America
Edited by Jorge F. Rivas Pérez
In this beautifully illustrated volume, an international group of scholars present recent research on the movement of goods, art, and artists—and the circulation of ideas and ideologies—that shaped culture in Spanish America from the beginning of the sixteenth century to the first half of the nineteenth century. Their essays, now revised and expanded, were originally presented in 2016 at the annual symposium of the Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art at the Denver Art Museum.
Edited by Yolanda Castro Apreza, Charlene Woodcock and K'inal Antsetik, A.C.
Translated by Leíre Gutiérrez and Charlene Woodcock
Foreword by Inés Castro Apreza
Contributions by Barbara Schütz
This English-language edition features color photographs—published here for the first time—depicting many of the individual women and their stunning textiles. A new preface, chapter introductions, and a scholarly afterword frame the women’s narratives and place their accounts within cultural and historical context.
Art, Politics, and Religion in the Mixteca Alta since 1500
by Alessia Frassani
Based on original and unpublished documents and punctuated with stunning photography, Building Yanhuitlan combines archival and ethnographic work with visual analysis to make an innovative statement regarding artistic forms and to tell the story of a remarkable community.
In 2014 the Denver Art Museum held a symposium hosted by the Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art and co-organized by Donna Pierce and Emily Ballew Neff, Director of the Brooks Museum, Memphis, who assembled an international group of scholars to present recent research on portraiture in the Spanish colony of New Spain (Mexico) and the British colonies of North America. This volume presents revised and expanded versions of papers presented at the symposium.
Edited by Christopher S. Beekman and Robert B. Pickering
This volume brings together an international team of contributors to reconnect field research on the shaft tombs of western Mexico (ca. 300 B.C.–A.D. 500) with museum-based research on the distinctive human figures for which the region is known. These finely made figures and dioramas have attracted the interest of archaeologists, art historians, and museum curators for over a century because of their expressiveness and rich detail, tempered by the sad fact that most of these objects were looted from shaft and chamber tombs and sold on the wider art market.
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