Written with O’Brien’s full cooperation and the input of family, friends, colleagues, and critics, Traveler provides the first complete, behind-the-scenes picture of a thoroughly American self-made musical genius—the boy who grew up listening to country artists at the WWVA Wheeling Jamboree and ended up charting a new course through American music.
To map Guthrie’s movements across space and time, the author draws not only on the artist’s considerable recorded and published output but on a wealth of unpublished sources—including letters, essays, song lyrics, and notebooks—housed in the Woody Guthrie Archives in Tulsa, Oklahoma. This trove of primary documents deepens Kaufman’s intriguing portrait of a unique American artist.
Czech Songs in Texas includes sixty-one songs, mostly polkas and waltzes. The songs themselves are beloved heirlooms ranging from ceremonial music with origins in Moravian wedding traditions to exuberant polkas celebrating the pleasures of life.
Drawing on more than twenty years of research and oral history interviews, Linda J. Goodman in Singing the Songs of My Ancestors presents a somewhat different point of view-that of the anthropologist/ethnomusicologist interested in Makah culture and history as well as the changing musical and ceremonial roles of Makah men and women.
In Nashville’s Songwriting Sweethearts, authors Bobbie Malone and Bill C. Malone recount how Boudleaux and Felice, married in 1945, began their partnership as itinerant musicians living in a trailer home and writing their first songs together.
Bursting with new ideas, Trills in the Bach Cello Suites offers insight for performers and music theorists alike. It will aid in the interpretation of these classic works as it renews our appreciation for Bach’s genius.
The Business of Tejana Music and Culture, 1930–1955
by Mary Ann Villarreal
In Listening to Rosita, Villarreal seeks answers by pursuing the story of a small group of Tejana singers and entrepreneurs in Corpus Christi, Houston, and San Antonio—the “Texas Triangle”—during the mid-twentieth century. Ultimately she recovers a social world and cultural landscape in central south Texas where Mexican American women negotiated the shifting boundaries of race and economics to assert a public presence.
A History and Catalogue of Tin Pan Alley's Western Recordings, 1902–1918
by Michael A. Amundson
Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918.Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.
For over fifty years, Bill C. Malone has researched and written about the history of country music. Today he is celebrated as the foremost authority on this distinctly American genre. This new collection brings together his significant article-length work from a variety of sources, including essays, book chapters, and record liner notes. Sing Me Back Home distills a lifetime of thinking about country and southern roots music.
Touching on anthropology, musicology, and the history of the United States and its military, Sound the Trumpet, Beat the Drums gives a thorough and satisfying account of mounted military bands and their cultural significance.
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