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POETRY

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This American Autopsy

This American Autopsy

Poems

by José Antonio Rodríguez

Even as he paints a vivid picture of American diversity, Rodriguez exposes the deterioration of our nation—broken promises, failed prosperity, the shattering of dreams. Intimate and urgent, these timely dispatches from the Texas-Mexico border reveal the tensions and contradictions of today’s America.
 

Other Musics

Other Musics

New Latina Poetry

Edited by Cynthia Cruz

Along with an ample selection of each of their poetry, Other Musics features an artist statement by each poet, in which she discusses her work, her writing practice, how she became a writer, and her views on the purpose and mission of poetry in the contemporary world.
 

Love Can Be

Love Can Be

A Literary Collection about Our Animals

Edited by Louisa McCune and Teresa Miller

Woody Guthrie said it first, “love can be . . . in all forms of life,” and this anthology of poems and essays is proof of that, as thirty acclaimed authors join together to champion life in all its kinds. This is their gift to the world, not just the artistry of their words, but their vision of an extended community that includes cats, birds, frogs, butterflies, bears, dogs, raccoons, horses—a full-out menagerie of being that enriches us all.
 

Two Halves of the World Apple

Two Halves of the World Apple

Poems by Yang Ke

by Yang Ke

Translated by Denis Mair, Chao, Simon Patton, Ouyang Yu and Ning Yang

Foreword by Jonathan Stalling

Thoughtfully annotated by lead translator Denis Mair and introduced by Jonathan Stalling, this collection of poems showcases the best work of one of the leading lights of China’s contemporary literary scene.
 

Chiapas Maya Awakening

Chiapas Maya Awakening

Contemporary Poems and Short Stories

Edited and translated by Sean S. Sell

Edited by Nicolás Huet Bautista

Foreword by Marceal Méndez

Introduction by Inés Hernández-Ávila

Chiapas Maya Awakening demonstrates that Mayas are neither a vanished ancient civilization nor a remote, undeveloped people. Instead, through their memorable poems and stories, the indigenous writers of this volume claim a place of their own within the broader fields of national and global literature.

Epics of Empire and Frontier

Epics of Empire and Frontier

Alonso de Ercilla and Gaspar de Villagrá as Spanish Colonial Chroniclers

by Celia López-Chávez

An interdisciplinary, comparative postcolonial interpretation of the history found in two poetic narratives of conquest, Epics of Empire and Frontier brings fresh understanding to the role that poetry plays in regional and national memory and culture.

Memories of the Cultural Revolution

Memories of the Cultural Revolution

Poems

by Luo Ying

Translated by Denis Mair

The narrative poems that make up Memories of the Cultural Revolution combine the ardor of youthful experience with the cooler insight of mature reflection, offering a nuanced picture of life in the midst of historic change.

The Artistic Odyssey of Higinio V. Gonzales

The Artistic Odyssey of Higinio V. Gonzales

A Tinsmith and Poet in Territorial New Mexico

by Maurice M. Dixon, Jr.

Foreword by Carmella Padilla

Translated by Alejandro López

In The Artistic Odyssey of Higinio V. Gonzales, Maurice M. Dixon, Jr., who has spent more than thirty years studying New Mexico tinwork, describes the artist’s signature techniques. Featuring translations of Gonzales’s poetry, this book restores a long-forgotten New Mexican innovator to the prominence he deserves.

Poems from the Río Grande

Poems from the Río Grande

by Rudolfo Anaya

Foreword by Robert Con Davis-Undiano

In this, his first collection of poetry, Anaya presents twenty-eight of his best poems, most of which have never before been published. Featuring works written in English and Spanish over the course of three decades, Poems from the Río Grande offers readers a full body of work showcasing Anaya’s literary and poetic imagination.

Creative Alliances

Creative Alliances

The Transnational Designs of Indigenous Women's Poetry

by Molly McGlennen


Tribal histories suggest that Indigenous peoples from many different nations continually allied themselves for purposes of fortitude, mental and physical health, and creative affiliations. Such alliance building, Molly McGlennen tells us, continues in the poetry of Indigenous women, who use the genre to transcend national and colonial boundaries and to fashion global dialogues across a spectrum of experiences and ideas.

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