SOCIAL SCIENCE / Popular Culture

Lucidly written and meticulously researched, Show Town is a groundbreaking work of cultural history. By examining one city’s theatrical scene in all its complex dimensions, this book expands our understanding of the forces that shaped the urban American West.

An informative and thought-provoking examination of the Wild West’s foreign tours, The Popular Frontier offers new insight into late-nineteenth-century gender politics and ethnicity, the development of American nationalism, and the simultaneous rise of a global mass culture.
 

Western fans today may not recognize the name Ernest Haycox (1899–1950), but they know his work. John Ford turned one of his stories into the iconic film Stagecoach, and the whole Western literary genre still follows conventions that Haycox deftly mastered and reshaped. In this new book about Haycox’s literary career, Richard W. Etulain tells the engrossing story of his rise through the ranks of popular magazine and serial fiction to become one of the Western’s most successful creators.

In Imagined Frontiers, urban historian and popular culture scholar Carl Abbott looks at the work of American artists who have used novels, film, television, maps, and occasionally even performance art to explore these frontiers—the metropolitan frontier of suburban development, the classic continental frontier of American settlement, and the yet unrealized frontiers beyond Earth.

In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers.

The Colorado River Plateau is home to two of the best-known landscapes in the world: Rainbow Bridge in southern Utah and Monument Valley on the Utah-Arizona border. Twentieth-century popular culture made these places icons of the American West, and advertising continues to exploit their significance today. In Rainbow Bridge to Monument Valley, Thomas J. Harvey artfully tells how Navajos and Anglo-Americans created fabrics of meaning out of this stunning desert landscape, space that western novelist Zane Grey called “the storehouse of unlived years,” where a rugged, more authentic life beckoned.

Sex, drugs, and rock ’n’ roll. In popular imagination, these words seem to capture the atmosphere of 1960s hippie communes. Yet when the first hippie commune was founded in 1965 outside Trinidad, Colorado, the goal wasn’t one long party but rather a new society that integrated life and art. In Droppers, Mark Matthews chronicles the rise and fall of this utopian community, exploring the goals behind its creation and the factors that eventually led to its dissolution.

Los Angeles rock generally conjures memories of surf music, The Doors, or Laurel Canyon folkies. But punk? L.A.'s punk scene, while not as notorious as that of New York City, emerged full-throated in 1977 and boasted bands like The Germs, X, and Black Flag. This book explores how, in the land of the Beach Boys, punk rock took hold. With an intimate knowledge of bands, venues, and zines, MacLeod cuts to the heart of L.A. punk as no one has before.

Sex, drugs, and rock ’n’ roll. In popular imagination, these words seem to capture the atmosphere of 1960s hippie communes. Yet when the first hippie commune was founded in 1965 outside Trinidad, Colorado, the goal wasn’t one long party but rather a new society that integrated life and art. In Droppers, Mark Matthews chronicles the rise and fall of this utopian community, exploring the goals behind its creation and the factors that eventually led to its dissolution.