Edited by Peter B. Villella and Pablo García Loaeza
Preface by Matthew Restall
A valuable contribution to ongoing efforts to demythologize and properly memorialize the Spanish-Aztec War of 1519–21, this volume also aptly illustrates how we make history of the past and how that history-making shapes our present—and possibly our future.
Indians, Spaniards, and the Invention of Nuevo México
by Danna A. Levin Rojo
Employing long-overlooked historical and anthropological evidence, Danna A. Levin Rojo reveals how ideas these natives held about their own past helped determine where Spanish explorers would go and what they would conquer in the northwest frontier of New Spain—present-day New Mexico and Arizona. Return to Aztlan thus remaps an extraordinary century during which, for the first time, Western minds were seduced by Native American historical memories.
Mexican American Moderates during the Chicano Movement, 1960–1978
by Guadalupe San Miguel
In the Midst of Radicalism for the first time shows us these moderate Mexican American activists as they were, playing a critical role in the Chicano Movement while maintaining a long-standing tradition of pursuing social justice for their community.
A transnational history that reveals how ideas move across borders and between communities, Homeland offers welcome insight into the defining and changing concept of belonging in relation to citizenship. In the process, the book marks another step in a promising new direction for Mexican American intellectual history.
Claro Solis wanted to win a gold star for his mother. He succeeded—as did seven other sons of “Little Mexico.”Second Street in Silvis, Illinois, was a poor neighborhood during the...
Movement of Ideas, Art, and People in Spanish America
Edited by Jorge F. Rivas Pérez
In this beautifully illustrated volume, an international group of scholars present recent research on the movement of goods, art, and artists—and the circulation of ideas and ideologies—that shaped culture in Spanish America from the beginning of the sixteenth century to the first half of the nineteenth century. Their essays, now revised and expanded, were originally presented in 2016 at the annual symposium of the Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art at the Denver Art Museum.
Edited by Yolanda Castro Apreza, Charlene Woodcock and K'inal Antsetik, A.C.
Translated by Leíre Gutiérrez and Charlene Woodcock
Foreword by Inés Castro Apreza
Contributions by Barbara Schütz
This English-language edition features color photographs—published here for the first time—depicting many of the individual women and their stunning textiles. A new preface, chapter introductions, and a scholarly afterword frame the women’s narratives and place their accounts within cultural and historical context.
The Business of Tejana Music and Culture, 1930–1955
by Mary Ann Villarreal
In Listening to Rosita, Villarreal seeks answers by pursuing the story of a small group of Tejana singers and entrepreneurs in Corpus Christi, Houston, and San Antonio—the “Texas Triangle”—during the mid-twentieth century. Ultimately she recovers a social world and cultural landscape in central south Texas where Mexican American women negotiated the shifting boundaries of race and economics to assert a public presence.
Contributions by Denise Chávez, Edward Hayes, Lucy R. Lippard and Tey Marianna Nunn
Edited by Carmella Padilla
In this first publication devoted to Tapia’s artistic legacy, leading art historians, curators, and literary figures consider Tapia’s art as a visual touchstone for a tradition in transition, one that Tapia continues to hold to and break through.
A large-scale landmark account of Mexican American culture, Mestizos Come Home! shows mestizos to be an intrinsic part of U.S. national culture. As an argument for social justice and a renewal of America’s democratic ideals, this book marks a historical cultural homecoming.
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