Contributions by Stephen J. Bodio, Margaret C. Adler, Kory W. Rogers, Shirley Reece-Hughes and Adam M. Thomas
In their depictions of the hunt or the catch, American artists connected a dynamic and developing nation to its past and its future. Through the examination of major works of art, Wild Spaces, Open Seasons brings to light an often-overlooked theme in American painting and sculpture.
The authors focus their investigation on the Red Willow Creek encampment site, now named Camp Alexis, the party’s only stopping place along the hunt trail that can be located with certainty. In addition to physical artifacts, the authors examine a plethora of primary accounts—such as railroad timetables, invitations to balls and dinners, even sheet music commemorating the visit—to supplement the archaeological evidence.
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