Blood on the Border
A Memoir of the Contra War
Published by: University of Oklahoma Press
Imprint: University of Oklahoma Press
312 Pages | 6 x 9
Human rights activist and historian Roxanne Dunbar-Ortiz has been described as “a force of nature on the page and off.” That force is fully present in Blood on the Border, the third in her acclaimed series of memoirs. Seamlessly blending the personal and the political, Blood on the Border is Dunbar-Ortiz’s firsthand account of the decade-long dirty war pursued by the Contras and the United States against the people of Nicaragua.
With the 1981 bombing of a Nicaraguan plane in Mexico City—a plane Dunbar-Ortiz herself would have been on if not for a delay—the US-backed Contras (short for los contrarrevolucionarios) launched a major offensive against Nicaragua’s Sandinista regime, which the Reagan administration labeled as communist. While her rich political analysis of the US-Nicaraguan relationship bears the mark of a trained historian, Dunbar-Ortiz also writes from her perspective as an intrepid activist who spent months at a time throughout the 1980s in the war-torn country, especially in the remote northeastern region, where the Indigenous Miskitu people were relentlessly assailed and nearly wiped out by CIA-trained Contra mercenaries. She makes painfully clear the connections between what many US Americans today remember only vaguely as the Iran-Contra “affair” and ongoing US aggression in the Americas, the Middle East, and around the world—connections made even more explicit in a new afterword written for this edition.
A compelling, important, and sobering story on its own, Blood on the Border offers a deeply informed, closely observed, and heartfelt view of history in the making.
“This is an impressive, astounding, and truthful historical document. . . . Roxanne Dunbar-Ortiz tells a story that is moving, profoundly human, and enlightening.” —Gioconda Belli, author of The Country under My Skin
“Captures a messy snapshot of our country and [Dunbar-Ortiz’s] own life. A living embodiment of the philosophy ‘the personal is poltical,’ she navigates a dense narrative river through her early, youthful enthusiasm for social change, moving upstream toward a hard-edged and realistic perception of the undertows of political waters . . . she reveals an unbowed human spirit—a major ingredient in victory.” —Jewelle Gomez, author of The Gilda Stories
“Dunbar-Ortiz is clearly a memoirist of great skills and even greater heart. She’s a force of nature on the page and off.” —Dave Eggers, author of A Heartbreaking Work of Staggering Genius